Thursday, 14 August 2014

The fifteen foot rule

I just got the feeling that I should spend a little time explaining how the fifteen foot rule works in my mind.

After posts about using upholstery fabrics, curtains and anything else that comes to hand, I am about to embark on ‘The Ball gown’ to be  worn by Belle that needs to be this panto’s ‘ooh ahh’ dress.  Every panto needs an ‘ooh ahh’ dress.  It is always worn by the princess (or other principal girl role) and she needs to make a grand entrance that makes the audience go… (Wait for it) …. “Oooh, ahh” at the vision of beauty before them.

I had decided, way back when Beauty and the Beast was the desired pantomime and not even confirmed, that I would not be making the ‘ooh ahh’ dress in yellow satin as seems to be the common choice.
The first reason was that I think (and this is only my opinion) that satin does not look good on stage!  By satin I mean the cheap polysatin that is all I would be able to afford, not duchess satin that looks gorgeous and sumptuous and I can only dream of a budget that would stretch to being able to afford that.   Polysatin is too flimsy and has no substance to it and the only way to save it for a dramatic dress would be to cover it in starch.  It also has a shine to it that screams out cheap costume (think of all those fancy dress costumes you can buy that are all made in polysatin).

The second reason is that yellow does not suit everybody and can make them look drained, not a great idea for stage!

So, in my mind I had decided on an antique gold for the gown.
When I went on my big fabric hunt of 2014, one of the things I was looking for was antique gold for the ball gown and I found the perfect colour.  The only problem being that the fabric is a kind of waxed cotton and not too wonderful to the touch.  After continuing on the hunt and finding nothing else, I went back and bought this fabric that was in the perfect colour…all because of the fifteen foot rule.

The simple fact is, it doesn’t matter what the fabric is as long as it looks right!  From fifteen foot away, waxed cotton looks and moves like an expensive taffeta!  Upholstery fabric that matches beautifully with another upholstery fabric looks like expensive jacquard.  Sadly, the perfectly beautiful fabric with flowers appliqued onto it of the same fabric looks a bit bland from fifteen foot away and needs something to lift it and you will find yourself wondering if you should be using it for the costume after all (yes I am talking about Belle’s first dress)!

If, like me, you are a fabricaholic, one of the first things you do when buying the stuff is feel it!  Just remember that nobody in the audience is going to feel the fabric and train yourself to think how it will look from a distance.  Pantomime costume is all about illusion, there is no need to worry about how the seams are finished; nobody will see it.  There is no need to worry about a few tacks here and there that hold the costume in place; nobody will see it, and there is no need to worry about what the fabric feels like; all they will see is something extraordinary on the stage.

If you are looking at something in your living/sewing room and it doesn’t hit you in the face then you can be pretty sure you need to add something.


Today, Auntie Em is coming round and we are going to be deciding on the ball gown and its ‘beautifying’.  The only thing I can guarantee at this point is that we will not be worrying about the fact that the fabric is waxed cotton!

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